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This is the cross term that exists at the exit Requena Basin towards the funny part is that we have spent countless people, myself included, too, and nobody had noticed until last Sunday that marked the start the way we stopped to watch carefully and what we saw left us ice cream. Here I leave the photos and judge for yourselves.

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attach a photo of a beautiful corner facing the Camino de Requena, and Wool Road

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Today June 11 the World Cup starts, it seems that just about the tango ... football is a passion among Argentines, so anything better than this video to share both, between two passions, which moves the ball ... and the tango that steals the heart each of the bars to start the bellows, and also better if you compare the brand with Anibal Troilo Quejas de Bandoneon , which is the tango that sounds as the dancers combine the steps, feeling and the ball, combining the two is a good way to start the day.

For those of you know the story of how born Bandoneon Complaints , I left it after this post, taken verbatim from the book "One Hundred Tangos Fundamental Oscar del Priore and Irene Amuchástegui.

A kiss.

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BANDONEON COMPLAINTS


This paper has been extracted literally, the book Cien tangos fundamentales, Oscar del Priore and Irene Amuchástegui.

not until thirty years began to compose Juan de Dios Filiberto . In its first stage wrote tangos without words, a form virtually abandon the focus to the song. Between 1915 and 1917 published Guaymayen, Safe Cure, is recommended only, Argentine soil of my land. Then came complaints Bandoneon.
(Juan de Dios Filiberto) tells the same

Filiberto "In 1918 I wrote La Vuelta de Rocha and Complaints bandoneon, which introduced the innovation of low employment in the trio. Brazil with them and I went to the tango competition sponsored by the Public Assistance. I was attending at the time the Conservatorio Williams and Albert Williams was a member of the jury. I had so much optimism and hope, but both were disappointed: the prize went to a tango Palma Arthos its creation. Disillusioned, always fighting against the difficulties and poverty dropped out when Eduardo Firnarini, that was my last teacher, he went to Europe. I devoted time to take violin lessons at the Conservatory Casals.

"One afternoon I met Augusto Berto, who ran a typical cabaret L'Abbaye, cabaret was in Esmeralda 500. After talking a while I asked for a tango to touch him in his orchestra. I agreed and we went there and I Quinquela days later to witness the debut of my complaints tango bandoneon. I still have the impression that night, the unanimous applause, round, great, I was touched, the same Berto was surprised by the result. However, despite these successes, new year and a half later, in 1920 I could edit it ... and on my own (to publish this as Tango Sentimental "). Filiberto

says that tango introduced with lows in the trio. Clarify that trio was named to the third part of the tango, which until 1920 were written about the case, with three parts. The latest is called "trio", which does not in any way to be played with three instruments, but was a name adopted tango composers. After this part was disappearing, and nearly all the tangos were written in two parts. Innovation referred Filiberto is that the score will indicate the first nine bars of the trio in bandoneon solo but the bass notes of the left hand, not common at the time. Years later, Aníbal Troilo not only respect this indication, but were common in their interpretations of many of tangos "bandoneon solo bass." Complaints

bandoneon, despite its title, is written for piano. This was rare at the time: the scores were tested en masse by all who had piano at home. However, Filiberto indicates the possibility of adding other instruments, parts of which are listed as a decoration to the original structure. Thus, the first two parts are indications for intervention by the cello, and the trio, besides the aforementioned only bandoneon There is a harmony to be played with flute and violin. The composer also clearly differentiates the character of each of the three parties. The first one reads the words "rhythmic" in the second "mark" and last "sad."

José Martínez's orchestra soon after the premiere for Berto, and Roberto Firpo then bandoneon recorded complaints in the first period. Over time it became one of the classics in the repertoire of orchestras.

Many lyricists volunteered to Filiberto verses for the tango, to the possibility of being sung, but he consistently refused to accept them.

(Anibal Troilo)

Complaints bandoneon has, at its original, no change. Filiberto did not think so. However, despite this, as in the late 30's, several players began to play it by adding variations. Among the most successful, Minotto mention of the orchestra of Francisco Canaro, that of Pedro Laurenz for his own orchestra, Federico Scorticati for The Lords of Tango, Astor Piazzolla for his orchestra and his quintet. But the most popular variation is the one that ran the bandoneon players in the orchestra of Anibal Troilo. The settlement of complaints ... so Pichuco's orchestra was conducted by Astor Piazzolla, but the same Astor told us that the variation was not his. Troilo said that when he commissioned the work, gave him the change to be included in the interpretation. That famous party, "said Astor" had been devised by Feliciano Brunelli. The musician had been set, the quartet of 900 in 1936. Brunelli integrated it on piano, bandoneon player Aníbal Troilo, Elvino Vandaro on violin and Enrique Bour on flute. Brunelli had written Troilo variation and played in the quartet. When some years later incorporated the tango to the repertoire of the orchestra, recalls that happy Pichuco sequence of notes and does add to the array.
(Astor Piazzolla)

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tango Troilo took the disk three times: first in 1944 for RCA Victor, the second in 1952 to TK, the last in 1958, for Odeon. He was also one of the classics of his repertoire, included in the program for their performance at the Teatro Colón, August 17, 1972.

Troilo's interpretation was that, little by little, the variation of the orchestra was going to hit the tango as a set of Filiberto, and is thus no longer conceived without touching Quejas de Bandoneon variation. The original was supposed to tango. And the culprit was Juan Carlos Copes.

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(Juan Carlos Copes and his daughter Johana Copes dance Quejas de Bandoneon)

The famous dancer began to be used for bandoneon Complaints presentations in 1967, using the disk Troilo. With time and reputation of Copes and Maria Nieves, virtually all bailaines ucirse started with the tango and became a required number. Copes below for more lucimientohizo touch their accompanists variation at higher speeds.

(Maria Nieves, Juan Carlos Copes, Ann Sheridan, Enrique Méndez (bandoneon) and Angel Schujer in channel 4 of New York)

In 1958, Troilo performed dances Carnival Luna Park and Copes-Nieves were invited to dance, opening the action. Copes wanted to appear dancing Complaints Bandoneon, Trolilo refused because he used to close the performance. This first meeting Copes Troilus and ended badly, even with a rude word. Over time they became close friends. And the last tango danced someone was touched by Troilo Quejas de Bandoneon. The dancers were Copes and Nieves. The theater was the Odeon. And on the eve of the death of Pichuco.

A kiss.

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13 years ago with envy and longing. Therapy

"Envy is the enemy of the lucky ones." (Epictetus)

And you know what the envy, "says the HKSAR is the sadness or sorrow for another's good and emulation, desire for something that does not possess. Have you had that feeling? That's not to tolerate another's success, no matter if he does well because he made the effort given to get this result, because I do not know who said it, but I consider true: no rewards or punishments, only consequences .

But why the jealousy? "Insecurity, evil? For a mixture of both probably, because the merely envious and wish to contemplate what is envied something unattainable, something he believes can not achieve and starts (he says) cavarle the grave, planting the idea that their property is worth (emotional or material), through intrigue, deceit, treachery and opportunism. The difference between envy and envy is exactly the attribute which lacks the latter may be some creativity or spontaneity with which the envious is inhibited.

is a feeling that is not beneficial, so much that it is a cardinal sin, not only for its size but because it involves other sins, he breaks with the love of neighbor, the foundation of the Christian faith. But, I think, that envy is suffering more than the envied, than the welfare of others make you unhappy, may be the case that he never knows of the situation that puts the envious, in addition to live constantly with the desire to cause harm to another person.

Fernando Savater in his book "The 7 Deadly Sins" argues that envy can even be a democratic virtue, a tool to maintain equality, produce situations to avoid that some have more than others, and a gentleman born rich and another poor, makes this latter question: what have you that you have access to me for such a privilege? Who does pay taxes who denounce it does not, motivated by envy.

and longing, is synonymous with envy? No, the craving is something strongly desired in general, you want comfort, they yearn to fulfill dreams, you want wealth, you crave the welfare, emotional and economic. Envy is something in particular, which is owned by a person, a physical attribute, emotional or material, which is usually lacking.

And I? rather than envy desire, in fact, this blog is merely a witness to my desires, because they all can become realities if we have the courage or the courage to go for them. Thus, almost all entries have been longing become reality.